CURRENT Athens is an online platform for the promotion of contemporary art.

Cover series: #12 Eleanna Balesi

Akwa Ibom Athens

35, Valtetsiou Str., 10681 Athens Drive me

They lifted me into the sun again and packed my empty skull with cinnamon

Admission: Free
Opening: 02.11.2020, 13:00

02.11.2020, 13:00-20:00
Wednesday: 16:00-20:00
Saturday: 14:00-18:00

Add to calendar 2020:11:02 13:00:00 2021:01:20 23:13:00 Europe/Athens They lifted me into the sun again and packed my empty skull with cinnamon They lifted me into the sun again and packed my empty skull with cinnamon - More informations on /events/event/3031-they-lifted-me-into-the-sun-again-and-packed-my-empty-skull-with-cinnamon Akwa Ibom Athens
 “They lifted me into the sun again and packed my empty skull with cinnamon” is an exhibition as an edition of six shown in six venues simultaneously during the last week of October and the first week of November. Participating venues include Akwa Ibom (Athens), Gern en Regalia (NYC), Guimaraes (Vienna), Gilles Drouault galerie/multiples (Paris), MOREpublishers with Gevaert Editions (Brussels), and Galleria Franco Noero (Torino).
The exhibition begins with the artist not being there, in all the different ways that “not there” can mean. Absence becomes a component of the show, which the title, borrowed from a poem by Thomas James titled “Mummy of a Lady Named Jemutesonekh XXI Dynasty,” further highlights. The poem charts the ultimate presence of absence, death, as a complex entanglement of the corporeal and the spiritual. The narrator describes their own mummification process, described impartially as an emptying and filling method that treats the body as an aesthetic, artistic object. While within the poem’s bounds, the spirit remains mostly autonomous, Dodge’s exhibition negotiates a spiritual, also authorial presence that actively involves others in its corporeal becoming. A set of specific items: 20 Bayer Aspirin advertisements, a missing animal flyer, loose Marigold petals, batteries, forks, and fabric, and a found shopping list, is sent to each space to be installed following instructions sent electronically by the artist. Within this set of instructions is the conversational, improvisational, and accumulative, employment of different practices, other bodies, and touches – the exhibition’s own poetics animated through a series of choices akin to the translator’s entanglement in a poem. In each incarnation of this exhibition Dodge has asked someone to perform the installation as a surrogate. The dancer and choreographer Alix Eynaudi has composed a score to follow in order to install the exhibition. The score addresses the buying of the items listed in the shopping list and how to unpack them in the room; things understood firstly as products to be consumed inside the body, applied outside the body, and to clean what the body uses. Unrelated to randomness, but open to interpretation, this show builds on Dodge’s previous habit of inviting friends and colleagues to lend titles and texts to his exhibitions, but here inspires a freer movement in a conversation with things, an improvisation using a shared score that is not concluded by a single iteration. For the iteration at Akwa Ibom, Helena Papadopoulos will perform the installation.
(Maya Tounta)